Douglas Manuel was born in Anderson, Indiana. He received a BA in Creative Writing from Arizona State University and a MFA from Butler University where he was the Managing Editor of Booth: A Journal. He is currently a Middleton and Dornsife Fellow at the University of Southern California where he is pursuing a PhD in Literature and Creative Writing. He has served as the Poetry Editor of Gold Line Press as well as was one of the Managing Editors of Ricochet Editions. His work is featured on Poetry Foundation's website and has appeared or is forthcoming in Poetry Northwest, Los Angeles Review, Superstition Review, Rhino, North American Review, The Chattahoochee Review, New Orleans Review, Crab Creek Review, and elsewhere. His first full length collection of poems, Testify, was released by Red Hen Press in the spring of 2017.
"In his breathtaking debut, Testify, Douglas Manuel charts the raw emotional complexities and the impossible daily reckonings that confront a young black man coming of age today in America. Faced at every turn with condescending, fixed assumptions about his 'proper' role in his community and culture, the speaker faces each indictment with a stunning and searing intelligence. Each powerful testimony in this collection stands as evidence of an eloquent and dramatic new voice in American poetry."
--David St. John
"In Douglas Manuel's Testify the act of witnessing is by turns burdensome and bittersweet, narrative and lyrical, ecstatic and irreverent. Here the holy words are the ones that offer no easy epiphanies yet grant us dazzling, off-kilter compassion and a strange, surprising grace. These potent poems testify to those ambivalent moments that might rend or right us, as when an interracial couple drive past a truck with a Confederate flag painted on its back windshield and from which a little boy turns to smile and wave: his 'blond hair // split down the middle like a Bible / left open to the Book of Psalms.'"
--Anna Journey, author of The Atheist Wore Goat Silk
A book of elegiac ambivalence, Testify's speaker often finds himself trapped between received binaries: black and white, ghetto and suburban, atheism and Catholicism. In many ways, this work is a Bildungsroman detailing the maturation of a black man raised in the crack-laden 1980s, with hip-hop, jazz, and blues as its soundtrack. Rendered with keen attention to the economic decline of the Midwest due to the departure of the automotive industry, this book portrays the speaker wrestling with his city's demise, family relationships, interracial love, and notions of black masculinity. Never letting anyone, including the speaker, off the hook, Testify refuses sentimentality and didacticism and dwells in a space of uncertainty, where meaning and identity are messy, complicated, and multivalent.
Aram Saroyan is an American poet, novelist, biographer, memoirist and playwright, who is especially known for his minimalist poetry, famous examples of which include the one-word poem "lighght" and a one-letter poem comprising a four-legged version of the letter "m". There has been a resurgence of interest in his work in the 21st century, evidenced by the publication in 2007 of several previous collections reissued together as Complete Minimal Poems.
Holly Prado is a poet from Nebraska. Her recent publications (2012) include poetry featured in the literary review Malpais Review and in Askew magazine; in Chiron Review (2014) and regularly on the poetry/art blog timestimes3.blogspot.com. She and her husband, Harry Northup, are founding members of Cahuenga Press, a poets publishing cooperative which has been publishing books of poetry since 1989.
Harry Northup has had ten books of poetry published, the last one being Where Bodies Again Recline (Cahuenga Press). He received his B.A. in English from C.S.U.N., where he studied Verse with Ann Stanford. Northup has made a living as an actor for thirty-four years, acting in thirty-seven films, including Taxi Driver (1976 Palme d’Or winner at Cannes), Over the Edge (starring role) & The Silence of the Lambs (1991 Oscar winner for Best Picture).
Marsha de la O’s latest book, Antidote for Night, won the 2015 Isabella Gardner Award and was published by BOA Editions. Her first book, Black Hope, was awarded the New Issues Press Poetry Prize. She has published extensively, including recent poems in The New Yorker and forthcoming poems in The Kenyon Review. De La O lives in Ventura, California, with her husband, poet and editor Phil Taggart. Together, they produce poetry readings and events in Ventura County and are also the new editors of the literary journal Spillway.
Lois P. Jones, host of Pacifica Radio's Poets' Cafe, interviews producer/director of LOVING VINCENT, Hugh Welchman. A year after the death of the artist, Vincent van Gogh, Postman Roulin gets his slacker son, Armand, to hand deliver the artist's final letter to his now late brother, Theo, to some worthy recipient after multiple failed postal delivery attempts. Although disdainful of this seemingly pointless chore, Armand travels to Auvers-sure-Oise where a purported close companion to Vincent, Dr. Gachet, lives. Having to wait until the doctor returns from business, Armand meets many of the people of that village who not only knew Vincent, but were apparently also models and inspirations for his art. In doing so, Armond becomes increasingly fascinated in the psyche and fate of Van Gogh as numerous suspicious details fail to add up. However, as Armond digs further, he comes to realize that Vincent's troubled life is as much a matter of interpretation as his paintings and there are no easy answers for a man whose work and tragedy would only be truly appreciated in the future.
Originally broadcast on KPFK 90.7 FM in Los Angeles on 12/25/2016. Features original surviving members Phil Proctor and David Ossman. Produced by Marlena Bond
A special tribute to Austin Straus hosted by Suzanne Lummis and includes guests Laurel Ann Bogen, Cecilia Woloch, Linda Albertano and KPFK's own Uncle Ruthie. Born in Brooklyn in 1939, Austin moved to Los Angeles in 1978, and immediately settled into an ongoing renaissance of poetry in Southern California. He was the founder and cohost of “The Poetry Connexion” on KPFK-FM from 1981 to 1996. His guests included many of the most prominent poets in Los Angeles.
His books of poetry include Laureate without a Country, Drunk with Light, and Intensifications. His late wife, the poet Wanda Coleman (1946-2013), and he collaborated on a sequence of poems celebrating their three decades of marriage, The Love Project: A Marriage Made in Poetry. His poems were reprinted in many anthologies, including “Poetry Loves Poetry,” Suzanne Lummis’sGrand Passion, Charles Harper Webb’s Stand Up Poetry, Steve Kowit’s The Maverick Poets, and Men in Our Time: An Anthology of Male Poetry in Contemporary America.
Austin considered himself to be primarily a book artist, and that work can be found in many collections, including Chapman College, Occidental College, and the San Francisco Museum of Modern Art. However, his poems will also remain a steadfast part of the community of poets he joined almost forty years ago.
Boris Dralyuk is the Executive Editor of the Los Angeles Review of Books. He is a literary translator and holds a PhD in Slavic Languages and Literatures from UCLA, where he taught Russian literature for a number of years. He has also taught at the University of St Andrews, Scotland. His work has appeared in the Times Literary Supplement, The New Yorker, London Review of Books, The Guardian, Granta, World Literature Today, The Yale Review, New England Review, Harvard Review, Jewish Quarterly, Poetry International, and other journals. He is the author of Western Crime Fiction Goes East: The Russian Pinkerton Craze 1907-1934 (Brill, 2012) and translator of several volumes from Russian and Polish, including, most recently, Isaac Babel’s Red Cavalry (Pushkin Press, 2015) and Odessa Stories (Pushkin Press, 2016). He is also the editor of 1917: Stories and Poems from the Russian Revolution (Pushkin Press, 2016), and co-editor, with Robert Chandler and Irina Mashinski, of The Penguin Book of Russian Poetry (Penguin Classics, 2015). His website is bdralyuk.wordpress.com
Thea Constantine sits down with her brother Brendan Constantine to discuss and read excerpts from her latest work, Stumptown. Thea was born in New York City to a family of actors and writers. She grew up in Hollywood and spent her youth in the clubs and streets of Los Angeles before finally settling in Portland Oregon. In between adventures, she has worked as an award winning performer, filmmaker, playwright, and giant shrimp. She is a certified facilitator in the AWA method and does weekly writers workshops with PDX Writers. Her short stories have been published in a number of journals, magazines and anthologies.
“You will come to care about this deeply flawed but charming cast of outsiders – like family.” ~ Lesann Berry, author of Passing Judgement, Alternate Endings, and Ambushing the Vigilante
"You’ve seen them darting from street corners and nightclub back alleys, the squatters and addicts, the underage strippers who’ve barely felt their first crush, the hustlers and millennial Cinderellas of the not always velvet underground aching for magic and surrogate connection. Thea Constantine is a Lou Reed for the Pacific Northwest, deep in the thrall of the characters she’s set in motion, and in her skillful and weirdly redeeming crosshatch of modern Portland’s days and nights, we may also see flashes of who we’re busiest avoiding: ourselves." – Alan Rifkin, author of Signal Hill and Burdens by Water
"It's been two weeks since I finished Thea Constantine's 'Stumptown,' and her characters are all still with me. We like being around each other. The place I live is not far from Portland, evidently." - Allan MacDonell, author of 'Prisoner of X' and 'Punk Elegies'
Host: Richard Modiano
Guests: S.A. Griffin, Henry Mortensen
THE OFFICIAL LANGUAGE OF YES!
Poems by Scott Wannberg, Edited by S.A. Griffin
Scott Wannberg was a rare, generous, wise, hilarious, pure, beat, psychedelic, raw, tender, curious, sweetly subversive and truly honest man. His poems are exactly the same. Full of be-bop lyrical intensity, existential blues song wisdom, country song heartache and jagged fragments from never made John Ford movies, Scott's glorious, wild, unpredictable visions remain a constant source of truth, laughter and inspiration for me. —Dave Alvin
The Official Language of Yes!, a book of poetry by the late Scott Wannberg, was released by Perceval Press in 2015. Edited by Scott's close friend S.A. Griffin, the book contains mostly unpublished poetry, as well as drawings and handwritten notes: a celebration of a great artist, and a truly great person. Forward by Henry Mortensen, Introduction by S.A. Griffin, Preface by Viggo Mortensen.
Joseph Fasano is the author of three books of poetry: Vincent (Cider Press, 2015); Inheritance (2014), a James Laughlin Award nominee; and Fugue for Other Hands (2013), which won the Cider Press Review Book Award and was nominated by Linda Pastan for the Poets' Prize, "awarded annually for the best book of verse by a living American poet." His recent writing has appeared in The Yale Review, The Southern Review, Boston Review, The Times Literary Supplement, Measure, Field, Tin House, American Literary Review, American Poets Magazine, The Missouri Review, and RATTLE, which awarded him their RATTLE Poetry Prize for his poem "Mahler in New York." His work is included in the anthologies Poem-a-Day: 365 Poems for Any Occasion (Abrams, 2015) and The Aeolian Harp (Glass Lyre Press, 2016), and it can be found online from the Academy of American Poets' poem-a-day-program, Verse Daily, and the PEN Poetry Series. He teaches at Columbia University and Manhattanville College.